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[...] more attuned to the arthouse cinema we’d seen from late greats Krzysztof Kieślowski or Alain Resnais, instead it comes from Leigh in a package of anti-social fervor and shrewdly ironic [...]
tasteofcinema.com
[...] Studio. In 1958 she appeared in her first film, Pull My Daisy. In New York she met director Alain Resnais, who asked her to star in his film Last Year at Marienbad. Her performance brought her [...]
artblart.com
[...] – or Nouvelle Vague – had such amazing directors like Agnès Varda, François Truffaut, Alain Resnais, Éric Rohmer, Claude Chabrol, and Jacques Rivette, Godard always seemed to be the most [...]
tasteofcinema.com
[...] filtering both through the avant-garde as evidenced by the French films of Jean-Luc Godard and Alain Resnais. Making an amazing $60 million off a $360,000 budget, the strong audience and critical [...]
tasteofcinema.com
[...] art is as purely French at its core as the novels of Marguerite Duras and the films of Alain Resnais – an intimate exploration of memory, desire, and obsessive longing. The artist’s [...]
artblart.com
[...] a setting that is both fiercely political and extremely intimate. 5. Last Year in Marienbad (Alain Resnais, 1961) Marienbad, the space of memory, time, the prison of the past. A man and a woman meet, [...]
tasteofcinema.com
[...] in the army? That is the most interesting thing about this film. 5. Hiroshima mon amour (Alain Resnais, 1959) Even today, this film seems very modern, impenetrable, mesmerizing, poetic and baffling. [...]
tasteofcinema.com
[...] thing we have to…who? An American Chekhov, Ingmar Bergman, Jean Renoir? An American Alain Resnais, certainly (God, I wish he could have seen this – he would have loved it). All of the [...]
talkhouse.com
[...] love each other regardless. 2. Tabu (Miguel Gomes, 2012) Its style can be compared to Alain Resnais’ “Hiroshima mon amour” somehow. This film is immensely romantic, stunningly beautiful [...]
tasteofcinema.com
[...] themselves and that it is not that easy to trick the human mind. 9. Last Year in Marienbad (Alain Resnais; 1961) The 60s brought an end to the long reign of traditional narrative in film, giving space [...]
tasteofcinema.com
[...] series of tribulations that make Antoine almost go completely nuts. 18. On connaît la chanson (Alain Resnais, 1997) The only musical-romantic-comedy on the list shows its humourous elements mostly by [...]
tasteofcinema.com
Alain Resnais related Persons