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[...] the best stuntmen and choreographers. 9. To Live and Die in LA (1985) By the mid-1980’s, William Friedkin’s star had burnt out. The wonder director failed to find the same success as his original [...]
tasteofcinema.com
[...] it still is a top classic in the band’s live exhibitions. 8. To Live and Die in L.A. (William Friedkin, 1983, music by Wang Chung) William Friedkin might be a discontinuous artist, but his taste for [...]
tasteofcinema.com
[...] decades. The cinematic version of his book, which was released in 1973 and directed by William Friedkin, changed the face of horror movies forever. “The Exorcist” is one the most disturbing and [...]
tasteofcinema.com
[...] the classics of the period. It hasn’t gone through a proper reappraisal the way that Friedkin’s Sorcerer or Cimino’s Heaven’s Gate have; Pauline Kael’s negative assessment – [...]
talkhouse.com
[...] heavy, horrible casualties, our anti-heroes begin to align for the thrust of Sorcerer, William Friedkin’s recently reappraised 1977 existential thriller. Based on the 1950 French novel La Salaire de [...]
tasteofcinema.com
[...] be more of a fightin’ man than a turning-water-into-wine sort of guy. 4. The Exorcist (Friedkin, 1973) Ok, so the little girl sticks the crucifix where the sun don’t shine. OK, that’s [...]
tasteofcinema.com
[...] that he used in The Exorcist to this southern-fried chicken murder neo noir. Friedkin’s goal as a filmmaker, both in the 1970s and now, is to be provocative. The content, from a [...]
tasteofcinema.com
[...] direct such masterpieces as Scarface and The Untouchables in the subsequent decade. 9. William Friedkin Most essential New Hollywood movie: The French Connection (1971) A man who was once reprimanded [...]
tasteofcinema.com
[...] , soft spoken woman she appears to be? Or is she something much more sinister? 2. Bug (William Friedkin, 2006) When you hear director William Friedkin’s name, there’s a chance that one film in [...]
tasteofcinema.com
Friedkin related Persons