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[...] . 4. Le Mépris Considered as one of his most accessible and popular movie, Le Mépris by Jean-Luc Godard is also his first and most innovative work among his many films about filmmaking. Released in [...]
tasteofcinema.com
[...] in theatre than in a petri-dish under the microscopic camera! Precision cut in the tradition of Godard, played out in the ambiguous morality of a Truffaut, wrapped in Bengali maudlin only towards the [...]
apotpourriofvestiges.com
[...] Jean-Luc Godard is a filmmaker born in Paris, France on December 3, 1930. Beginning his career as a film critic, [...]
tasteofcinema.com
[...] a kind of gold standard for rigor and refusal to placate the audience. Straub-Huillet makes Godard look like Mel Brooks. In an absolutely stunning recent film, L’aquarium et la nation, Straub (who [...]
talkhouse.com
[...] their DNA, so that the references feel organic rather than thrust upon the material; as Godard once said, it’s not where you take something from, it’s where you take it to, and Stranger [...]
talkhouse.com
[...] in setting the mood. For a Frenchman, Godard does have an excellent ear for English lyrics, as he also used Leonard Cohen’s songs to great [...]
tasteofcinema.com
[...] in store for those few of low expectations who passed through the opening-day turnstiles. Like Godard, the Wachowskis integrate their pop-culture-soaked point of view on the material into the very [...]
sergioleoneifr.blogspot.com
[...] to have experienced.) The boy and girl also cast the film’s eye forward— in Jean-Luc Godard’s Breathless (released two years later, in 1960), Jean-Paul Belmondo and Jean Seberg [...]
sergioleoneifr.blogspot.com
[...] , of course; at the end of the day, they’re the children of Marx and Coca-Cola. Jean-Luc Godard is known for a tendency towards hermetic, abrasive filmmaking, but his early work is much more [...]
tasteofcinema.com
Godard related Persons