Kurt Weill

2017-02-23

[...] John LaChiusa, is rooted in 1920s jazz, with frequent nods to Brecht’s collaborator Kurt Weill – although some of the songs are more like first drafts for late Lloyd Webber musicals. [...]

Everything Theatre

#53

everything-theatre.co.uk

2017-02-03

[...] in the late 1970s, 1980s, and beyond. Titled after a song in Bertolt Brecht and Kurt Weill’s The Threepenny Opera, Goldin’s Ballad is itself a kind of downtown opera; its [...]

Art Blart _ art and cultural memory archive

#70

artblart.com

2016-01-18

[...] . Phoenix: Nina Hoss, in bandages, and much later sidling up to the piano to finally sing Kurt Weill’s “Speak Low,” the movie ending of the year. Gett: The Trial of Viviane Amsalem: Increasingly [...]

Sergio Leone and the Infield Fly Rule

#218

sergioleoneifr.blogspot.com

2015-10-15

[...] Opera, Pabst was impressed by the cinematic potential of the play. After contacting Brecht and Kurt Weill, he prepared to take the play from stage to screen. The only condition which Brecht made for [...]

Taste of Cinema – Movie Reviews and Classic Movie Lists

#89

tasteofcinema.com

2015-10-08

[...] battle hymns, Not the Messiah (He’s a Very Naughty Boy) with Eric Idle and the U.S. premiere of Kurt Weill’s The Road of Promise. MasterVoices is committed to fostering the talents of the next [...]

My Social Good News

#636

mysocialgoodnews.com