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[...] ”). “Pennies from Heaven is the most emotional movie musical I’ve ever seen,” raved Pauline Kael, adding: “It’s a stylized mythology of the Depression which uses the popular songs [...]
tasteofcinema.com
[...] over-deliberate, mauve, nightmarish; everyone is yellow-lacquered, and evil runs rampant.” – Pauline Kael How do you like them apples? The colossal performances and the forcibly composite puzzle [...]
tasteofcinema.com
[...] , a shocking grace. “The bloody deaths are voluptuous, frightening, beautiful,” wrote Pauline Kael. “And it’s no accident that you feel a sense of loss for each killer of the Bunch: Peckinpah [...]
tasteofcinema.com
[...] -war and arguably anti-American affectivity would also infuse Casualties of War––which Pauline Kael described as leaving her “simultaneously elated and wiped out,” in her staggering, [...]
tasteofcinema.com
[...] of her wraithlike, hair-veiled face. We know her skin better than we know our own…” – Pauline Kael The perks of being a wallflower The opening of Carrie embodies the signature [...]
tasteofcinema.com
[...] proper reappraisal the way that Friedkin’s Sorcerer or Cimino’s Heaven’s Gate have; Pauline Kael’s negative assessment – influenced in no small part by her personal relationship [...]
talkhouse.com
[...] become a mirror of each other’s futures and pasts. The most beautiful faces at what Pauline Kael would famously refer to as ‘Come-Dressed-As-the-Sick-Soul-of-Europe Parties.’ 7. [...]
tasteofcinema.com
[...] ‘s Zabriskie Point (and we’ll get to that film next), plus other prominent critics like Pauline Kael, Jonathan Rosenbaum, and Vincent Canby were also unimpressed. But as Cassavetes’ films ( [...]
tasteofcinema.com
[...] comes closer to getting Borges on the screen than those who have tried it directly…” –Pauline Kael One of the most tender and apocryphal episodes in the film is the decisive sex scene [...]
tasteofcinema.com
[...] a much different relationship with their audience (and vice versa) than they do today, Pauline Kael suggested, in her review of Robert Altman’s Nashville, that it was “an orgy for movie [...]
sergioleoneifr.blogspot.com
[...] 's usual thicket of seriocomically intertwining relationships and emotional baggage. Pauline Kael seemed to admire the movie—she called it “an ingenious stunt” that had been “thought [...]
sergioleoneifr.blogspot.com
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"Great movies are rarely perfect movies" - Pauline Kael