Sergei Eisenstein has been mentioned or cited more than a dozen times throughout all the RSS channels we monitor. Especially, the channel 'Taste of Cinema – Movie Reviews and Classic Movie Lists' contains more than a dozen references to this person (or maybe different people with similar names) alone. As it’s displayed on the chart below, Sergei Eisenstein was highly popular in March, 2017.
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[...] certainly align with a leftist worldview. 6. October: Ten Days That Shook the World (Sergei Eisenstein and Grigori Aleksandrov, 1928) A classic celebratory propaganda film, October: Ten Days That [...]
[...] -garde cinema, in a gallery that features clips from seminal films by Alexander Dovzhenko, Sergei Eisenstein, Vsevolod Pudovkin, and Dziga Vertov, highlighting a variety of strategies in montage, [...]
[...] City, in which the subject is the city itself and the people who live within it, as well as Sergei Eisenstein’s seminal Battleship Potemkin, which perfected the concept of montage, Man With A Movie [...]
[...] thousands of people lost their lives. These famous steps gained international fame with Sergei Eisenstein’s 1925 lm ‘Battleship Potemkin’, but if climbing them looks too tiring, you can take the [...]
[...] Tisse, Gregg Toland, Henri Alekan and many others. Films of Kenji Mizoguchi, Fritz Lang, Sergei Eisenstein, Federico Fellini and Ingmar Bergman influenced his creative work. 23. Peter Zeitlinger ( [...]
[...] will make you question many things that you take for granted. 5. Battleship Potemkin, by Sergei Eisenstein. (Bronenosets Patyomkin, 1925, Soviet Union). Based on a true story about a group of crewmen [...]
[...] in filmmaking culture, championed by the likes of D.W. Griffith, Charles Chaplin and Sergei Eisenstein, all of whom developed cinematic tradition in many ways. This list will be about the films [...]
[...] them from continuing, or worse. After creating Strike and Battleship Potemkin in 1925, Sergei Eisenstein was considered one of, if not the, best film maker the Soviet Union had to offer. Did this [...]
[...] humanity. For the dead and injured who had no role to play in the politics of nations. As Sergei Eisenstein recorded in his famous Odessa Steps sequence in his 1925 classic Battleship Potemkin. The [...]