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[...] choosing of where the scenes will take place. When thinking about locations, as director Sidney Lumet (“12 Angry Men”, “Dog Day Afternoon”) has said, the locations are characters in his [...]
tasteofcinema.com
[...] ) This Paddy Chayefsky screenplay was considered a humorous satire of America’s media. When Sidney Lumet’s film was released, it was considered hilarious and so unbelievably farfetched. In so many [...]
tasteofcinema.com
[...] to his badge and keeping a promise to his brother. Echoing the great crime films of Sidney Lumet and Jean-Pierre Melville, in Fukasaku’s world, there’s no honor among thieves or [...]
cityonfire.com
[...] | USA | 1955 | 117 min. | PG | 35mm Thursday, February 9 at 6:30 p.m. The Fugitive Kind dir. Sidney Lumet | USA | 1960 | 121 min. | 14A | 35mm Sunday, February 12 at 4:00 p.m. L’Amore dir. Roberto [...]
whatshesaidtalk.com
[...] Spy Who Came in from the Cold (1965), Directed by Martin Ritt 12 Angry Men (1957), Directed by Sidney Lumet The Last Temptation of Christ (1988), Directed by Martin Scorsese The Raging Bull (1980), [...]
apotpourriofvestiges.com
[...] worse, since the demands live TV placed upon directors like John Frankenheimer and Sidney Lumet forced those filmmakers into some astonishingly elaborate visual strategies. Yet my [...]
talkhouse.com
[...] that simply make it a frustrating chore to sit through its two hour plus runtime. 4. Sidney Lumet – The Wiz (1978) Sidney Lumet is a true actor’s director, who shepherded several [...]
tasteofcinema.com
[...] with Mamet’s natural gift of conversation. 11. The Verdict “The Verdict” is one of Sidney Lumet’s greatest films, and that’s saying something, with films like “Network” and “Dog Day [...]
tasteofcinema.com
[...] Performance that is nonetheless great: John Cazale’s Sal Dog Day Afternoon is arguably Sidney Lumet’s magnum opus, as it depicts a couple of oddball burglars attempting, and failing, to [...]
tasteofcinema.com
[...] were nominated for or won Best Picture, and then died at 42. I was lucky enough to speak to Sidney Lumet (about Cazale in Dog Day Afternoon), my hero Francis (no Ford) Coppola (about the two [...]
talkhouse.com
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