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[...] Blow Up, Michelangelo Antonioni was ready to face the events involving the new instances of youth. Released in 1970, [...]
tasteofcinema.com
[...] à la Mario Bava, with Deep Red, Argento was more into pastiching material from Michelangelo Antonioni. Even the inspired casting of Hemmings in the title role echoes Antonioni’s [...]
tasteofcinema.com
[...] by Joel Coen Vertigo (1958), Directed by Alfred Hitchcock L'Eclisse (1962), Directed by Michelangelo Antonioni The Duellists (1977), Directed by Ridley Scott Blue Velvet (1986), Directed by David [...]
apotpourriofvestiges.com
[...] , the movie did help her establish her career and she went on to star in films like Michelangelo Antonioni's The Passenger. With both Brando and Schneider long dead, the recent controversy [...]
apotpourriofvestiges.com
[...] blend of humor and sadness resonate now more than ever. 12. Zabriskie Point (Michelangelo Antonioni, 1970) Michelangelo Antonioni directed some of the most influential films of the [...]
tasteofcinema.com
[...] that recalls the already known cinematic style of a specific filmmaker; in this case, Michelangelo Antonioni (1912-2007). Obviously finding the same similarities depends on the reader’s information [...]
tasteofcinema.com
[...] fuchsia, blood red flame, and a rosy blush. Lurid, larger than life, and alarming, Michelangelo Antonioni’s former cinematographer Luciano Tovoli (The Passenger) lenses more than his [...]
tasteofcinema.com
[...] critic Roger Ebert got it doubly wrong by comparing the disappointment of this to Michelangelo Antonioni‘s Zabriskie Point (and we’ll get to that film next), plus other prominent critics like [...]
tasteofcinema.com
[...] sweep. Overrun with observational and abstractive long takes that would make Michelangelo Antonioni smile, Meek’s Cutoff also works as a Revisionist Western. Somewhere hardwired in [...]
tasteofcinema.com
[...] her condition to fool her own husband for her own good. 2. Red Desert (1964) Director Michelangelo Antonioni dedicated a series of movies (between the 50s and the 60s) to incommunicability between [...]
tasteofcinema.com
[...] masterpieces. An essential as it is complex, and a rich masterpiece. 4. L’Avventura, by Michelangelo Antonioni. (1960, Italy). Following and severely expending in what other filmmakers like Ford, [...]
tasteofcinema.com
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